Het Hagelands Symfonisch Orkest laat je kennismaken met de onweerstaanbare pracht en diepgang van Pjotr Iljitsj Tsjaikovski. Zijn Vijfde symfonie overtuigt door de combinatie van ontroerende dramatiek en triomfale kracht die de meesterlijke componist in een gelaagde partituur wist te vatten. Als sereen tegengewicht klinkt tijdens deze concerten ook Aleksandr Skrjabins Rêverie, een sfeervol miniatuur
Casco Phil Benjamin Haemhouts, conductor Yiheng Wang, piano Ludwig van Beethoven: Piano Concerto No.4, op. 58 I. Allegro moderato II. Andante con moto III. Rondo. Vivace Casco Phil Benjamin Haemhouts, director Maxim Calver, cello Robert Schumann: Cello Concerto, op. 129 I. Nicht zu schnell II. Langsam III. Sehr lebhaft
PROGRAM Ouverture uit 'Burlesque de Quixotte' - G.F. Telemann Concerto voor 2 violen - J.S. Bach Concerto voor cello en viool - J. Brahms Johannes Burghoff (cello) I Svenja Van Driessche (violin) I Sarah Bayens (violin) I Vilmos Csikos (violin)
The Story Athanaël, a cenobite monk, is haunted by the memory of Thaïs, a celebrated courtesan. Convinced that he must save her, he sets out to convert her. Weary of her dissolute life, Thaïs allows herself to be persuaded and enters a convent… A drama in which flesh and spirit clash to the point of
The Story Athanaël, a cenobite monk, is haunted by the memory of Thaïs, a celebrated courtesan. Convinced that he must save her, he sets out to convert her. Weary of her dissolute life, Thaïs allows herself to be persuaded and enters a convent… A drama in which flesh and spirit clash to the point of
The Story Athanaël, a cenobite monk, is haunted by the memory of Thaïs, a celebrated courtesan. Convinced that he must save her, he sets out to convert her. Weary of her dissolute life, Thaïs allows herself to be persuaded and enters a convent… A drama in which flesh and spirit clash to the point of
The Story Athanaël, a cenobite monk, is haunted by the memory of Thaïs, a celebrated courtesan. Convinced that he must save her, he sets out to convert her. Weary of her dissolute life, Thaïs allows herself to be persuaded and enters a convent… A drama in which flesh and spirit clash to the point of
The Story Athanaël, a cenobite monk, is haunted by the memory of Thaïs, a celebrated courtesan. Convinced that he must save her, he sets out to convert her. Weary of her dissolute life, Thaïs allows herself to be persuaded and enters a convent… A drama in which flesh and spirit clash to the point of
The Story Athanaël, a cenobite monk, is haunted by the memory of Thaïs, a celebrated courtesan. Convinced that he must save her, he sets out to convert her. Weary of her dissolute life, Thaïs allows herself to be persuaded and enters a convent… A drama in which flesh and spirit clash to the point of
Henry Purcell Rondo (uit ‘Abdelazer Suite, Z. 570) Georg Friedrich Händel The Arrival of the Queen of Sheba Joseph Haydn Trompetconcerto in Es: finale Camille Saint-Saëns Danse Macabre Ciprian Porumbescu (arr. Haemhouts) Balade Traditional (arr. Haemhouts) Hungarian Impressions Ludwig van Beethoven Turkse Mars (uit: Die Ruinen von Athen, opus 113) Jean-Baptiste Arban Le Carnaval de
Henry Purcell Rondo (uit ‘Abdelazer Suite, Z. 570) Georg Friedrich Händel The Arrival of the Queen of Sheba Joseph Haydn Trompetconcerto in Es: finale Camille Saint-Saëns Danse Macabre Ciprian Porumbescu (arr. Haemhouts) Balade Traditional (arr. Haemhouts) Hungarian Impressions Ludwig van Beethoven Turkse Mars (uit: Die Ruinen von Athen, opus 113) Jean-Baptiste Arban Le Carnaval de
Henry Purcell Rondo (uit ‘Abdelazer Suite, Z. 570) Georg Friedrich Händel The Arrival of the Queen of Sheba Joseph Haydn Trompetconcerto in Es: finale Camille Saint-Saëns Danse Macabre Ciprian Porumbescu (arr. Haemhouts) Balade Traditional (arr. Haemhouts) Hungarian Impressions Ludwig van Beethoven Turkse Mars (uit: Die Ruinen von Athen, opus 113) Jean-Baptiste Arban Le Carnaval de
