PROGRAM Ouverture uit 'Burlesque de Quixotte' - G.F. Telemann Concerto voor 2 violen - J.S. Bach Concerto voor cello en viool - J. Brahms Johannes Burghoff (cello) I Svenja Van Driessche (violin) I Sarah Bayens (violin) I Vilmos Csikos (violin)
The Story Athanaël, a cenobite monk, is haunted by the memory of Thaïs, a celebrated courtesan. Convinced that he must save her, he sets out to convert her. Weary of her dissolute life, Thaïs allows herself to be persuaded and enters a convent… A drama in which flesh and spirit clash to the point of
The Story Athanaël, a cenobite monk, is haunted by the memory of Thaïs, a celebrated courtesan. Convinced that he must save her, he sets out to convert her. Weary of her dissolute life, Thaïs allows herself to be persuaded and enters a convent… A drama in which flesh and spirit clash to the point of
The Story Athanaël, a cenobite monk, is haunted by the memory of Thaïs, a celebrated courtesan. Convinced that he must save her, he sets out to convert her. Weary of her dissolute life, Thaïs allows herself to be persuaded and enters a convent… A drama in which flesh and spirit clash to the point of
The Story Athanaël, a cenobite monk, is haunted by the memory of Thaïs, a celebrated courtesan. Convinced that he must save her, he sets out to convert her. Weary of her dissolute life, Thaïs allows herself to be persuaded and enters a convent… A drama in which flesh and spirit clash to the point of
The Story Athanaël, a cenobite monk, is haunted by the memory of Thaïs, a celebrated courtesan. Convinced that he must save her, he sets out to convert her. Weary of her dissolute life, Thaïs allows herself to be persuaded and enters a convent… A drama in which flesh and spirit clash to the point of
The Story Athanaël, a cenobite monk, is haunted by the memory of Thaïs, a celebrated courtesan. Convinced that he must save her, he sets out to convert her. Weary of her dissolute life, Thaïs allows herself to be persuaded and enters a convent… A drama in which flesh and spirit clash to the point of
Henry Purcell Rondo (uit ‘Abdelazer Suite, Z. 570) Georg Friedrich Händel The Arrival of the Queen of Sheba Joseph Haydn Trompetconcerto in Es: finale Camille Saint-Saëns Danse Macabre Ciprian Porumbescu (arr. Haemhouts) Balade Traditional (arr. Haemhouts) Hungarian Impressions Ludwig van Beethoven Turkse Mars (uit: Die Ruinen von Athen, opus 113) Jean-Baptiste Arban Le Carnaval de
Henry Purcell Rondo (uit ‘Abdelazer Suite, Z. 570) Georg Friedrich Händel The Arrival of the Queen of Sheba Joseph Haydn Trompetconcerto in Es: finale Camille Saint-Saëns Danse Macabre Ciprian Porumbescu (arr. Haemhouts) Balade Traditional (arr. Haemhouts) Hungarian Impressions Ludwig van Beethoven Turkse Mars (uit: Die Ruinen von Athen, opus 113) Jean-Baptiste Arban Le Carnaval de
Henry Purcell Rondo (uit ‘Abdelazer Suite, Z. 570) Georg Friedrich Händel The Arrival of the Queen of Sheba Joseph Haydn Trompetconcerto in Es: finale Camille Saint-Saëns Danse Macabre Ciprian Porumbescu (arr. Haemhouts) Balade Traditional (arr. Haemhouts) Hungarian Impressions Ludwig van Beethoven Turkse Mars (uit: Die Ruinen von Athen, opus 113) Jean-Baptiste Arban Le Carnaval de
Henry Purcell Rondo (uit ‘Abdelazer Suite, Z. 570) Georg Friedrich Händel The Arrival of the Queen of Sheba Joseph Haydn Trompetconcerto in Es: finale Camille Saint-Saëns Danse Macabre Ciprian Porumbescu (arr. Haemhouts) Balade Traditional (arr. Haemhouts) Hungarian Impressions Ludwig van Beethoven Turkse Mars (uit: Die Ruinen von Athen, opus 113) Jean-Baptiste Arban Le Carnaval de
Met Gardens of Paradise nodigt Casco Phil het publiek uit voor een muzikale reis van verbeelding, verwondering en vernieuwing. Centraal in dit programma staat pianist Noah Vanden Abeele, een muzikant die de voorbije jaren een geheel eigen plaats heeft verworven binnen het Belgische muzieklandschap. Vanden Abeele combineert een stevige klassieke achtergrond met een uitgesproken affectie
